I'm fascinated by lists of "recommended reading" - not only do such lists help us discover great books, but they also reveal quite a bit about the person who created the list. (For example, someone over at LibraryThing.com has cataloged the contents of Marilyn Monroe's personal library. Reading through the list reveals a lot about the private interests of such a public person.)

Recently, while searching for lists of "favorite books" or "recommended reading," I stumbled upon a very cool site—OpenCulture.com. Clearly, someone there enjoys reading lists as much as I do, because the site includes a fantastic sidebar titled "Reading Lists by..." Here you can find reading lists compiled by some well-known and fascinating people.

Reading over the lists, I noticed, with regret, a lack of diversity among the recommended books. Other than that common problem, however, I was surprised by how little overlap the lists contained. Below is a sampling of a few lists I found interesting. Others included on OpenCulture.com are by F Scott Fitzgerald, Allen Ginsberg, Christopher Hitchens, Joseph Brodsky, WH Auden, Donald Barthelme, and Carl Sagan.

Neil DeGrasse Tyson

In an "ask me anything" feature on Reddit.com, popular astrophysicist Neil DeGrasse Tyson was asked, “Which books should be read by every single intelligent person on the planet?” The following list, along with short explanations of each choice, was his response:

The Bible - “to learn that it’s easier to be told by others what to think and believe than it is to think for yourself.”
The System of the World by Isaac Newton – “to learn that the universe is a knowable place.”
On the Origin of Species by Charles Darwin - “to learn of our kinship with all other life on Earth.”
Gulliver’s Travels by Jonathan Swift – “to learn, among other satirical lessons, that most of the time humans are Yahoos.”
The Age of Reason by Thomas Paine – “to learn how the power of rational thought is the primary source of freedom in the world.”
The Wealth of Nations by Adam Smith - “to learn that capitalism is an economy of greed, a force of nature unto itself.”
The Art of War by Sun Tsu - “to learn that the act of killing fellow humans can be raised to an art.”
The Prince by Machiavelli - “to learn that people not in power will do all they can to acquire it, and people in power will do all they can to keep it.”

Tyson clarified that he chose these books because, “If you read all of the above works you will glean profound insight into most of what has driven the history of the western world.”

David Bowie

In 2013, the Victoria and Albert Museum in London created an exhibition called "David Bowie is..." The exhibition, a retrospective of Bowie's career and influence on the arts, is currently touring internationally, and includes a list of Bowie's 100 favorite books. Here's the (long) list (clearly influenced by his love of music):

The Age of American Unreason, Susan Jacoby, 2008
The Brief Wondrous Life of Oscar Wao, Junot Diaz, 2007
The Coast of Utopia (trilogy), Tom Stoppard, 2007
Teenage: The Creation of Youth 1875-1945, Jon Savage, 2007
Fingersmith, Sarah Waters, 2002
The Trial of Henry Kissinger, Christopher Hitchens, 2001
Mr. Wilson’s Cabinet of Wonder, Lawrence Weschler, 1997
A People’s Tragedy: The Russian Revolution 1890-1924, Orlando Figes, 1997
The Insult, Rupert Thomson, 1996
Wonder Boys, Michael Chabon, 1995
The Bird Artist, Howard Norman, 1994
Kafka Was The Rage: A Greenwich Village Memoir, Anatole Broyard, 1993
Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective, Arthur C. Danto, 1992
Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, Camille Paglia, 1990
David Bomberg, Richard Cork, 1988
Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom, Peter Guralnick, 1986
The Songlines, Bruce Chatwin, 1986
Hawksmoor, Peter Ackroyd, 1985
Nowhere To Run: The Story of Soul Music, Gerri Hirshey, 1984
Nights at the Circus, Angela Carter, 1984
Money, Martin Amis, 1984
White Noise, Don DeLillo, 1984
Flaubert’s Parrot, Julian Barnes, 1984
The Life and Times of Little Richard, Charles White, 1984
A People’s History of the United States, Howard Zinn, 1980
A Confederacy of Dunces, John Kennedy Toole, 1980
Interviews with Francis Bacon, David Sylvester, 1980
Darkness at Noon, Arthur Koestler, 1980
Earthly Powers, Anthony Burgess, 1980
Raw (a ‘graphix magazine’) 1980-91
Viz (magazine) 1979 –
The Gnostic Gospels, Elaine Pagels, 1979
Metropolitan Life, Fran Lebowitz, 1978
In Between the Sheets, Ian McEwan, 1978
Writers at Work: The Paris Review Interviews, ed. Malcolm Cowley, 1977
The Origin of Consciousness in the Breakdown of the Bicameral Mind, Julian Jaynes, 1976
Tales of Beatnik Glory, Ed Saunders, 1975
Mystery Train, Greil Marcus, 1975
Selected Poems, Frank O’Hara, 1974
Before the Deluge: A Portrait of Berlin in the 1920s, Otto Friedrich, 1972
In Bluebeard’s Castle : Some Notes Towards the Re-definition of Culture, George Steiner, 1971
Octobriana and the Russian Underground, Peter Sadecky, 1971
The Sound of the City: The Rise of Rock and Roll, Charlie Gillete, 1970
The Quest For Christa T, Christa Wolf, 1968
Awopbopaloobop Alopbamboom: The Golden Age of Rock, Nik Cohn, 1968
The Master and Margarita, Mikhail Bulgakov, 1967
Journey into the Whirlwind, Eugenia Ginzburg, 1967
Last Exit to Brooklyn, Hubert Selby Jr. , 1966
In Cold Blood, Truman Capote, 1965
City of Night, John Rechy, 1965
Herzog, Saul Bellow, 1964
Puckoon, Spike Milligan, 1963
The American Way of Death, Jessica Mitford, 1963
The Sailor Who Fell From Grace With The Sea, Yukio Mishima, 1963
The Fire Next Time, James Baldwin, 1963
A Clockwork Orange, Anthony Burgess, 1962
Inside the Whale and Other Essays, George Orwell, 1962
The Prime of Miss Jean Brodie, Muriel Spark, 1961
Private Eye (magazine) 1961 –
On Having No Head: Zen and the Rediscovery of the Obvious, Douglas Harding, 1961
Silence: Lectures and Writing, John Cage, 1961
Strange People, Frank Edwards, 1961
The Divided Self, R. D. Laing, 1960
All The Emperor’s Horses, David Kidd,1960
Billy Liar, Keith Waterhouse, 1959
The Leopard, Giuseppe Di Lampedusa, 1958
On The Road, Jack Kerouac, 1957
The Hidden Persuaders, Vance Packard, 1957
Room at the Top, John Braine, 1957
A Grave for a Dolphin, Alberto Denti di Pirajno, 1956
The Outsider, Colin Wilson, 1956
Lolita, Vladimir Nabokov, 1955
Nineteen Eighty-Four, George Orwell, 1949
The Street, Ann Petry, 1946
Black Boy, Richard Wright, 1945

Ernest Hemingway

An aspiring writer named Arnold Samuelson traveled to Key West in 1934 and knocked on Ernest Hemingway's front door, seeking writing advice. During their conversation the following day, Hemingway asked Samuelson if he'd ever read Tolstoy's War and Peace. When he said he hadn't, Hemingway offered to write out a list of books he felt the aspiring writer ought to read. The list includes two short stories by Stephen Crane and 14 books:

"The Blue Hotel” by Stephen Crane
“The Open Boat” by Stephen Crane
Madame Bovary by Gustave Flaubert
Dubliners by James Joyce
The Red and the Black by Stendhal
Of Human Bondage by Somerset Maugham
Anna Karenina by Leo Tolstoy
War and Peace by Leo Tolstoy
Buddenbrooks by Thomas Mann
Hail and Farewell by George Moore
The Brothers Karamazov by Fyodor Dostoyevsky
The Oxford Book of English Verse
The Enormous Room by E.E. Cummings
Wuthering Heights by Emily Bronte
Far Away and Long Ago by W.H. Hudson
The American by Henry James

And lastly, for those of you who believe that the task of comparing one book to another is too subjective, here's a brilliant quote from Virginia Woolf, from her 1925 essay, "How Should One Read a Book" :

The only advice … that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. If this is agreed between us, then I feel at the liberty to put forward a few ideas and suggestions because you will not allow them to fetter that independence which is the most important quality that a reader can possess. After all, what laws can be laid down about books? The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions — there we have none.

So what do you think? Do you enjoy book recommendations and lists of "Best Books"? Do you find any merit in the above lists? Do you agree with Virginia Woolf that we should not "admit authorities" to tell us "what to read"? Please share your thoughts in the comments!

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